Projects

In the Works

• (2022–2024) Contract with U of Calgary for new learning podcast series - 3QTL: Three Questions About Teaching and Learning.
• (2024-2025) Book Manuscript + Audio documentary series - Lavender Sounds: A Political Phenomenology of Queer Feminist Soundwork.
• Open to new projects and collaborations.

Past Projects

• December 2023

  Amplify Podcast Network

  Amplify Podcast Network aims to encourage collaboration and experimentation via the medium of scholarly podcasting. Copeland is the supervising producer and project manager of Amplify Podcast Network. She also hosts the network’s monthly audio blog Amplified.

• December 2023

  Sound + Text Experiments

  Here you will find various Text + Sound Experiments I’ve conducted over the years. They range from binaural soundscapes to short stories, to poetry and collective experimentation. I truly believe in play and in vulnerability as key to a better creative practice and to a better world. I offer here a bit of both in good spirit.

• December 2022

  The SpokenWeb Podcast

  The SpokenWeb Podcast – What does literature sound like? What stories will we hear if we listen to the archive? This is Spokenweb, a podcast about how literatures sounds. Part of the SSHRC Funded SpokenWeb partnership.

• July 2022

  This is The Sound of My Voice

  Based on Copeland’s Master’s Thesis research in Communication & Culture, This is the Sound of my Voice is a three-part audio documentary exploring the experiences and voices of Toronto radio women, sonified.

• August 2020

  SSHRC Storytellers Finalist

  The collaborative audio storytelling short “Sound Is Not A Waste Product” is a finalist for the SSHRC Storytellers competition 2020/2021. It is part of Dr. Milena Droumeva’s SSHRC funded research project “Soundscapes of Livability: Exploring the design of the livable city”.

• June 2020

  Speaking In and Listening Out

  Speaking In and Listening Out is a soundscape project centered on voice, as extension of the body through sound. The plurality and uniqueness of voice, becomes re/materialized through on-site recording and on-demand re/amplification at AMAS16.

• May 2020

  Livable Soundscapes

  Under the supervision of PI Dr. Droumeva, Livable Soundscapes proposes that listening to the city can be an intervention into both the narratives of liveability and the processes by which community is formed in terms of sensory design.

• September 2019

  FemRadio

  FemRadio is a feminist radio show based in Toronto, Canada. Hosted and produced by CJRU staff and volunteers. FemRadio aims to tell stories of rad women making a difference in our community.

• April 2019

  The Stiegl Hidden Studio Sessions

  The Stiegl Hidden Studio Sessions feature intimate ‘live’ sessions in a secret Toronto location. Studio engineering and audio post by Copeland, the sessions are produced by Indie88.1, an award-winning radio station in Toronto, Canada.

• February 2019

  Untold Noise

  Untold Noise explores Toronto’s noise punk community and the city’s place within the music industry as an emerging mecca of creativity and art. Stacey Copeland led audio production as audio director and executive producer.

• December 2018

  The (Re)sound Archive

  What if the history of sound recording was based on the ‘voice’ of the machine, the sound technology, rather than the content produced? The (Re)sound project looks to archive the voices of recording technologies through the audio capture of their electromagnetic and mechanical noise.